From course to finished piece
Your piece isn’t finished when the course ends — it is only beginning its journey. It goes through the kiln twice, and there are several steps in between.
The bisque firing — 980 °C. A slow first firing that removes all the water in the clay and makes the piece solid and porous. This is what allows it to be glazed afterwards without collapsing or breaking.
Glazing, then the final firing — 1280 °C. The piece is glazed, dried, then fired a second time at very high temperature. This is when the glaze melts, vitrifies and becomes that smooth, luminous surface. Stoneware and porcelain need this temperature to be truly durable.
We fire only pieces made with clay purchased at the studio. Every clay has its own firing curve: its composition (clays, silica, fluxes) determines the exact firing range, the point at which the glaze forms, and the vitrification temperature. Clay of unknown origin can melt, swell, burst — or contaminate the whole kiln load, our glazes and our shelves. Firing a clay we don’t know risks damaging your piece, everyone else’s, and the kiln itself. That is why we guarantee the success of your firings by working exclusively with our own clays.
Slip or glaze?
Slip (engobe) is liquid coloured clay, applied to the raw piece — it becomes one with it. Glaze is a vitrifiable coating that melts into a smooth, glossy surface. One decorates, the other protects.
Material and heat
Silica — the main component of sand and rock — brings hardness and resists heat. At 573 °C, quartz abruptly changes structure and volume: that’s why heating and cooling are slow around this point, to prevent cracking.
Photos of the kiln loading and opening to come.
Firing is handled by the rūsc team. Every piece receives a clear glaze applied by us. The rate depends on the material, the size and the glaze chosen.
Non-members
Members
Clear glaze included in every firing. Firings are carried out by the rūsc team; no firing is left to students.